In the Land of Blood and Honey

Last week I was lucky enough to view a free pre-screening of In the Land of Blood and Honey, the new movie written and directed by Angelina Jolie. It was provided free by the Global Fund for Women, an amazing Bay Area organization providing much-needed funds to organizations focused on women's issues around the world. This movie focuses on two characters, a Serbian soldier and a Bosnian muslim, who fell in love before the war started, and were reunited on different sides of the war when the woman, Ajla,  is captured, along with other women, to be cook, concubine, and maid to the Serbian soldiers.

Though I was warned by the friend who came with me that the movie "looked intense," based on a preview she saw, I wasn't worried. I had read books about genocide, watched documentaries about war crimes, and just went through a year reading horrific stories about violence against women. I figured I'd be fine.

WOW.

In the first half-hour of the movie, I jumped so many times I was afraid the person sitting next to me was going to hold my hand just to keep me in my seat. Furthermore, the succession of horrific scenes being played out before me seemed to never end. As soon as you thought, "This must be the worst of what they endured," another scene would show an even worse situation. I remember thinking maybe halfway through the movie, when will this relentlessness stop? Apparently, as mentioned by one of the panelists in the discussion after the movie, this is exactly what Jolie was going for. With me, she succeeded.

However, one of the questions I came away with after watching this movie was whether it needed to be so graphic in order to evoke the emotions Jolie was trying to create. Movies are supposed to evoke emotion, and the good ones always do. But what are the boundaries by which a movie needs to stretch, or cross, to evoke an emotional response that will provide sympathy for the characters?

Jolie does explore incredibly important and poignant issues, especially wartime rape. Though this happens in most, if not all, armed conflicts, in the Bosnian war it was used to systematically humiliate and denigrate Muslim women, and force them to have Serbian children. Furthermore, the International Criminal Tribunal of the former Yugoslavia was the first to recognize rape as a crime against humanity. This was an incredibly important victory for the victims of this horrific crime.

I do believe that using mass media to evoke sympathy for victims of violence is incredibly important, and especially when it comes to conflicts like this. How many people didn't know about the genocide in Rwanda before Hotel Rwanda came out? But there is a saying in the international development/non-profit communities that describes the unrelenting scenes of destitution and despair that are often shown in order to evoke sympathy for those living in these conditions: the "pornography of poverty." Taking pictures of extreme suffering can be borderline (or, in some cases, completely) voyeuristic. Can depicting images of suffering on the screen be considered in the same light? As a friend questioned, what kind of society are we that we need to reproduce highly visual experiences to feel “sympathy” for these women? In the SF Chronicle review of the movie, Mick LaSalle states of the relationship between Ajla and Danijel, "Gradually, the awful thought begins to dawn that Jolie might actually see this setup as erotic." I'm not sure I agree with him, but I understand the point he's trying to make. Is Jolie too enthusiastic when depicting others' pain? 

Have you seen In the Land of Blood and Honey? What did you think? Was the depiction of life in war enough to evoke emotion, or too much, or not enough? What did you think about the relationship between Ajla and Danijel? Horror movies also depict sensational images of pain and suffering - is it better when the scenes are fictional? Is it getting too close to censorship to put boundaries around what should/shouldn't be shown in movies?